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| ====== VCV Biset ====== | ====== VCV Biset ====== | ||
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| ===== What is it ? ===== | ===== What is it ? ===== | ||
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| These modules are VCOs, which means that they generate sound. | These modules are VCOs, which means that they generate sound. | ||
| + | **The Good, the Bad and the Ugly** and **Please kill me** are both based on phase modulation (frequency modulation cousin). | ||
| + | They have an unusual feature that allows you to delay the phase modulation. | ||
| + | It means that the signal will feedback itself only after a defined period of time. | ||
| + | It adds a lot of movement and makes the timbre different depending on the pitch. | ||
| - | === The Good, the bad and the ugly === | + | These 2 modules have a special place in my heart cause they are the proof that, sometimes, experimenting in a field you have not been trained can produce happy accidents. |
| + | I think that it's because I was not trained as an engineer that I thought about the feedback delay concept. | ||
| - | === Please kill me === | + | * [[https:// |
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| **Tree** is a generative sequencer. | **Tree** is a generative sequencer. | ||
| - | It means that it spontaneously generates | + | It means that it spontaneously generates |
| Those fixed length sequences can slowly evolve in two distinct ways. | Those fixed length sequences can slowly evolve in two distinct ways. | ||
| - | It can also use polyphony (multiple channels) and cycle through them to allow notes tails even when the next note starts. | + | * One with the **wind parameter** that will change the sequencer output in a coherent way without changing the original sequence. |
| + | * One with the **mutation parameter** that will add a chance to each note to be replaced by a new one. | ||
| - | One with the **wind parameter** that will change | + | **Seed**, an expander module, when placed on the side of a **Tree** module, transforms these voltage sequences into more usable **note** + **rhythm** sequences. |
| + | It can also use polyphony (multiple channels) to allow notes tails even when the next note starts. | ||
| - | One with the **mutation parameter** that will add a chance to each note to be replaced by a new one. | + | |
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| ==== Sound processing module ==== | ==== Sound processing module ==== | ||
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| **It’s good cholesterol** is an audio processing module. It **records the input (mono or stereo) into a buffer** and allows you to control up to **16x playheads** to read the resulting buffer. It’s a real **sound design sandbox**. You can build really simple **tap delays** but also **weird pitch shifted reverse delays** with **granular extras** and it can even be used as a polyphonic **VCO** (one of my favourite uses of the module !) | **It’s good cholesterol** is an audio processing module. It **records the input (mono or stereo) into a buffer** and allows you to control up to **16x playheads** to read the resulting buffer. It’s a real **sound design sandbox**. You can build really simple **tap delays** but also **weird pitch shifted reverse delays** with **granular extras** and it can even be used as a polyphonic **VCO** (one of my favourite uses of the module !) | ||
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| + | * [[https:// | ||
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